Une femme mariée

Une femme mariée
Jean-Luc Godard
Paris, France
48° 52′ 24″ N, 2° 21′ 09″ E
1964

Une femme mariée is the eight Godard film. During 1964 Cannes festival, he offered to Luigi Chiarini to make a film in 3 months. So it would be ready to premiere at Venice (Luigi Chiarini was the director of 1964 Venice festival). The story is modelled on another film situation released the same year: La peau douce, by François Truffaut . The main subject of the film is a woman in her twenties, Charlotte (Macha Méril). She leads her life between her husband Pierre (Philippe Leroy), and her lover Robert (Bernard Noël). Pierre is a private airplane pilot, often absent. Robert is a theator actor who asks her to divorce Pierre. She doesn’t know wich of the two men to choose, until she learns that she is pregnant.

The opening sequence is a succession of close-ups shots of dissociated body parts. Almost like photographs of Charlotte’s legs, face, arms, lips, hand. This woman is divided between her comfortable situation with her husband and her ingenuous desire for her lover. Throughout the film, the body and the mind separate. Charlotte lives in the present, she no longer remembers the past and lets society dictate her future. During her conversation with Roger Leenhardt she no longer remembers who Hitler was. When she makes love with Robert, her body is there but her mind is elsewhere. She is stuck in her indecisive romanticism and only escapes to immerse herself in an ultra consumer and branded world. The opening sequence is repeated two more times in the film. Once in the middle with her husband. And one last time at the end, in an almost mirrored version.

une femme mariée legs
une femme mariée ventre
une femme mariée main
Cinematography : Raoul Coutard
CIN5

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