Santuario Nazionale a Maria Madre e Regina
Antonio Guacci
Trieste, Italia
45°41′35″N 13°44′57″E
1965
The Big Stone Game, Enzo Mari
The Big Stone Game
Enzo Mari
Carrara, Italia
44°04.75′N 10°06.00′E
1968
Centro Istruzione IBM, Morassutti
Centro Istruzione IBM
Morassutti & Associati
Novedrate, Italia
45°41’50”N 9°7’14”E
1974
Monumento alla Partigiana, Carlo Scarpa
Monumento Alla Partigiana / Monument to the Partisan Woman by Carlo Scarpa and sculptor Augusto Murer.
Cretto di Burri, the Buried Town
The Cretto di Burri is a white concrete sculpture located on the ancient small town of Gibellina in Sicily. Alberto Burri built this monumental landscape artwork on the ruins of the town, destroyed by an earthquake.
Giuseppe Davanzo, Foro Boario di Padova
The Foro Boario is a livestock market built in the mid-60s in Padova, Italia. Its ingenious design built in prefabricated concrete modules did not find its place in the unbridled context of an expanding city.
The Brion Cemetery, Carlo Scarpa
North of Venice, Carlo Scarpa built a private mausoleum for the Brion family, a synthesis of his architectural work and his capacity for constructive invention. A manifesto project where concrete allows the sculpting of forms and decorative elements conducive to meditation.
Lina Bo Bardi, Casa sul Mare di Sicilia
La Casa sul Mare di Sicilia is a theoretical project by Lina Bo Bardi designed in 1940 for the magazine Domus. She designed a Mediterranean house, integrated in the landscape, and built using the collective cultural imaginary.
Mario Giacomelli, Sensitive Landscapes
Mario Giacomelli is a 20th century Italian photographer who has explored many subjects. Among these he made several series of landscapes, relating their changes, the memory of a place with its own identity and destiny.
The two faces of the Basilica of San Petronio in Bologna
The Basilica of San Petronia in Bologna is a huge religious example of Gothic architecture which has the specificity of being made of brick with only half of its facade in marble. The basilica is dedicated to the city’s patron, saint Petronius. It was not consecrated until 1954 although its works began in the end of the 14th century.