North of the city of Dakar, not far from the airport, a set of pyramidal volumes form the International Fair of Dakar complex. This building demonstrates the growth of Senegal and more broadly the growing influence of modernism in West Africa. But more than that, it is above all the expression of an architectural identity of its own, the asymmetrical parallelism, which reflects the postcolonial ambition of the country.
The Musée International d’horlogerie (International Watchmaking Museum) in La-Chaux-de-Fonds could well be the first European experiment in contemporary troglodyte architecture as it was defined by Pierre Zoelly and Georges-Jacques Haefeli. It’s a buried building with remarkable spatial qualities supported by an efficient structure, constructed under a park in 1974.