The director and screenwriter Roger Leenhardt made an appearance in the film Une femme mariée by Jean-Luc Godard. Pierre, Charlotte and Leenhardt begin a succession of monologues in three sections: Pierre speaks of memory, Charlotte of the present, while Leenhardt concludes by defining intelligence and praising compromise. His monologue is partly transcribed here.
Heinz Bienefeld was a German architect who used brick both to give expression to his volumes and to construct his details. His work is marked by the relationship between form and surface through the use of this material.
The Espai Verd is a modular housing complex built in Valencia following a reflection combining vegetation and community. This example of bio-climatic architecture deals with many environmental issues in a hybrid building with a forest backbone spreading throughout the spaces.
North of Venice, Carlo Scarpa built a private mausoleum for the Brion family, a synthesis of his architectural work and his capacity for constructive invention. A manifesto project where concrete allows the sculpting of forms and decorative elements conducive to meditation.
Since the early 1970s, Michael Heizer has been building City, a colossal sculpture in the middle of a desert in Nevada. Inspired by ancient cities, he erects monumental geometrical structures trying to represent a culture threatened by a post-apocalyptic future.
In the series A Future City From The Past, Clemens Gritl builds concrete buildings inspired by the dystopian universe of J.G Ballard. These brutalist megastructures explore the influence of monumental architecture on a society and its human beings.
The Nardò Ring is a circular track dedicated to speed tests. Built by Fiat in 1975, the 12km inclined ring allows high-speed tests up to 400km/h.
The Espacio Escultórico is a monumental circular sculpture, 120m in diameter, located on a bed of volcanic rock, south of Mexico City.
Kawahara Keiga offers through his paintings a glimpse of the mixed and circumscribed universe in Dejima. This island was the only entry point for Dutch ships to Japan during the Edo period.
La Casa sul Mare di Sicilia is a theoretical project by Lina Bo Bardi designed in 1940 for the magazine Domus. She designed a Mediterranean house, integrated in the landscape, and built using the collective cultural imaginary.