{"id":11401,"date":"2024-11-04T20:31:49","date_gmt":"2024-11-04T19:31:49","guid":{"rendered":"https:\/\/www.sensesatlas.com\/?p=11401"},"modified":"2024-11-04T20:42:04","modified_gmt":"2024-11-04T19:42:04","slug":"sarcophages-mecaniques","status":"publish","type":"post","link":"https:\/\/www.sensesatlas.com\/fr\/sarcophages-mecaniques\/","title":{"rendered":"Sarcophages M\u00e9caniques"},"content":{"rendered":"\t\t
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Sarcophages M\u00e9caniques<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cette chronique fait partie d\u2019un ensemble d\u2019impressions recueillies au travers de nombreuses promenades dans la capitale Argentine. Elles sont toutes disponibles en trois langue (<\/em>EN<\/a>,<\/em>ES<\/a>,<\/em>FR<\/strong>) et font partie du\u00a0<\/em>projet MIBA<\/a>\u00a0d\u00e9velopp\u00e9 sur Senses Atlas.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Certains aiment \u00e0 rappeler que l\u2019architecture est consid\u00e9r\u00e9e comme le premier art majeur, quelle chance serait alors la n\u00f4tre, modestes habitants des villes, de vivre au milieu d\u2019un gigantesque centre d\u2019art \u00e0 ciel ouvert. Encore faudrait-il pouvoir avoir le temps de lever la t\u00eate, l\u2019espace pour s\u2019arr\u00eater et contempler, ou encore de savoir ce que l\u2019on regarde. Et puis qu\u2019est ce qui fait que ce b\u00e2timent est une \u0153uvre d\u2019art et cet autre non\u00a0? Surtout si ces deux-l\u00e0 sont mis face \u00e0 face, ou pire, c\u00f4te \u00e0 c\u00f4te. Cela rel\u00e8ve-t-il de la m\u00eame diff\u00e9rence existante entre art et artisanat\u00a0? A vrai dire cette distinction qui parfois ne rel\u00e8ve que de la s\u00e9mantique m\u2019importe peu.
A Buenos Aires le modeste promeneur urbain sera simplement satisfait d\u2019avoir le regard accroch\u00e9 par les jeux de lumi\u00e8re entre deux balcons du, le reflet d\u2019une vitrine, la silhouette lointaine d\u2019une tour d\u2019habitation et ses coursives, il sera impressionn\u00e9 par la sensation d\u2019\u00e9paisseur renvoy\u00e9 par une banque ou les volumes plastiques des b\u00e2timents de t\u00e9l\u00e9communication autrefois publics. Il sera probablement plus sensible aux compositions des \u00e9difices reprenant des motifs classiques en fa\u00e7ade, ou aux maisons aux compositions art d\u00e9co et leurs bas-reliefs anguleux.<\/p>

Mais cette galerie de b\u00e2timents et d\u2019\u00e9l\u00e9ments architecturaux, monolithes immobiles, expos\u00e9s devant nous et qui bordent nos allers et venues sont aussi un cadre qui s\u2019efface parfois au profit de ce qui se passe entre ces fa\u00e7ades. La proportion de la rue, l\u2019\u00e9crasement ou la respiration, l\u2019anxi\u00e9t\u00e9 de l\u2019\u00e9troitesse ou du trop grand. L\u2019espace cr\u00e9e par le vide entre ces pleins est un espace qui s\u2019explore, qui s\u2019investit, qui s\u2019approprie, et qui malheureusement souvent n\u2019\u00e9chappe pas \u00e0 la mercantilisation.<\/p>

Lorsqu\u2019on s\u2019\u00e9vade des grandes avenues de la ville, des centres urbains et de leur anonymat, l\u2019architecture change, l\u2019\u00e9chelle du construit et du non construit diminue. Le tissu urbain s\u2019homog\u00e9n\u00e9ise pour former des zones r\u00e9sidentielles o\u00f9 se multiplient les maisons individuelles. Loin des flux incessants et du bruit assourdissant on reprend contr\u00f4le de sa personne. Il nous est laiss\u00e9 la possibilit\u00e9 de ralentir, de traverser les rues en oubliant parfois les feux de signalisation, de prendre un d\u00e9tour ou de revenir sur ses pas, et finalement de voir \u00e9merger de nouveaux \u00e9l\u00e9ments occuper l\u2019espace public.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Des \u0153uvres sans artistes s\u2019offrent alors \u00e0 nous. Pour peu que le jour soit ensoleill\u00e9, des reflets argent\u00e9s viennent d\u2019abord nous caresser le visage, avant de voir germer d\u2019\u00e9tranges statues. Leurs formes anguleuses, comprim\u00e9es, tendues, rythment notre promenade. Pour certains ce ne sont que des motos et autres deux roues, des voitures pour les plus rares, cach\u00e9s sous une b\u00e2che. Pour les plus attentifs c\u2019est un \u00e9quilibre entre l\u2019harmonie et le chaos, la plus pure expression du panneggio bagnato<\/em>, cet agencement de drap et d\u2019\u00e9toffe r\u00e9v\u00e9lant en occultant le corps m\u00e9canique ici abrit\u00e9. C\u2019est encore une d\u00e9marche \u00e0 la Christo, offrir dans l\u2019espace public ses \u0153uvres \u00e0 tous, en emballant pour mieux r\u00e9v\u00e9ler. La monumentalit\u00e9 n\u2019est point-l\u00e0 mais leur caract\u00e8re \u00e9ph\u00e9m\u00e8re se donne \u00e0 voir aux habitants ou \u00e0 ceux qui sont de passage.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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C\u2019est aussi un masque mortuaire, la derni\u00e8re expression d\u2019une \u0153uvre m\u00e9canique recouverte, qui parfois \u00e9touffe. L\u2019aluminium bross\u00e9 cachant la t\u00f4le bless\u00e9e. Les deux-roues semblent souvent vouloir se d\u00e9battre et s\u2019\u00e9chapper, les voitures ont d\u00e9j\u00e0 renonc\u00e9 et accept\u00e9 le sommeil, parfois \u00e9ternel. Ces carcasses sous carbonite laissent \u00e0 r\u00eaver d\u2019un paysage urbain o\u00f9 petit \u00e0 petit tous les v\u00e9hicules seront emball\u00e9s sous ces draps fun\u00e9raires pour ne plus jamais se r\u00e9veiller. Laissant au pi\u00e9ton la possibilit\u00e9 de parcourir la ville sans rel\u00e2che, ce fameux mus\u00e9e \u00e0 ciel ouvert qui s\u2019affirmerait plus que jamais, \u00e9tendu jusqu\u2019\u00e0 la limite d\u2019o\u00f9 nos jambes pourront nous porter.<\/p>

Ces sculptures \u00e0 l\u2019\u00e9preuve du temps imm\u00e9diat ne seront peut-\u00eatre plus la demain, dans une semaine ou dans un mois, mais elles auront r\u00e9ussi \u00e0 encourager notre imaginaire et \u00e0 justifier leur place dans le fragile diorama urbain.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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MIBA<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Cette chronique fait partie d\u2019un ensemble d\u2019impressions recueillies au travers de nombreuses promenades dans la capitale Argentine. Elles sont toutes disponibles en trois langue (EN,ES,FR) et font partie du projet MIBA d\u00e9velopp\u00e9 sur Senses Atlas.<\/p>\n","protected":false},"author":1,"featured_media":11435,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_locale":"fr_FR","_original_post":"https:\/\/www.sensesatlas.com\/?p=11399","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[861],"tags":[],"class_list":["post-11401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-miba","fr-FR"],"acf":[],"yoast_head":"\nSarcophages M\u00e9caniques - Senses Atlas<\/title>\n<meta name=\"description\" content=\"Senses Atlas is a collection of visual archives aimed at developing a sensitive approach in our consumption of content\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sensesatlas.com\/fr\/sarcophages-mecaniques\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sarcophages M\u00e9caniques - 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